Tag Archives: media

Trump’s America: Will “we” be fine? Depends on who is “we”. Depends on what “we” do.

18 Nov

dealer-of-hegemonic-masculinity-cdarcypusher-of-hegemonic-masculinity-cdarcy

Dear White Men,

This is on us. And now it’s up to us to undo it. I keep hearing us say: “we’ll be fine.” We may be shocked, devastated, disappointed, outraged but we also keep telling ourselves “we’ll” be fine. Sure, “we” will. But not all will, and not all are. If you are saying “we will be fine”, think hard about who that “we” is. Because many are not part of the “we” that will be fine. Our friends of color, our Native American friends, our Muslim friends and Latino friends, our LGBTQ friends and the women in our lives are not fine. And they are more than devastated and shocked. They are afraid of what is to come. And they will be, and already are, under attack. If you’ve ever questioned the existence of the concept of privilege, being able to say “we’ll be fine” is painful proof of its existence: Continue reading

It’s a Man’s World for Talking Dogs

6 Jul

The following is cross-posted from the Vegan Feminist Network. The original can be found here: http://veganfeministnetwork.com/talking_dogs/

Closeup of a collie chewing food and talking from Beneful commercial

Why is it that almost every voice-over for dogs in commercials for flea & tick medication, pet food, or treats is masculine?


First, animals for whom we do not know the sex or gender we often presume to be male by default. Secondly, canines in particular tend to be masculinized. However, the predominance of masculine voices in media is well documented. Human or nonhuman, it really speaks to the patriarchal dominance of public spaces and experiences.1

Feminine voices only seem to be consistently ascribed to Nonhuman Animals on television in dairy commercials featuring farmed cows. These voices are often matronly, as well, likely in an attempt to frame the product as something that is nurturing, healthful, and familial.


One exception can be found in the that gives a masculine French voice to an American female-bodied dairy cow. In fact, cows are frequently represented as male despite being female-bodied.2 This not only demonstrates a general ignorance about the American food system, but it also lends evidence to the male-as-default schema.

Notes:

1. Voice-overs are also white-dominated, with few ethnic intonations represented.

2. Gender and sex are not one in the same of course, but human constructions of gender in the nonhuman world are even less consistent and tend to reflect gender hierarchies.

 

 


Corey Lee WrennDr. Wrenn is the founder of Vegan Feminist Network. She is a Lecturer of Sociology and Director of Gender Studies with Monmouth University, council member with the Animals & Society Section of the American Sociological Association, and an advisory board member with the International Network for Social Studies on Vegetarianism and Veganism with the University of Vienna. She was awarded Exemplary Diversity Scholar 2016 by the University of Michigan’s National Center for Institutional Diversity. She is the author of A Rational Approach to Animal Rights: Extensions in Abolitionist Theory.

Web Series For Teens Debunks Outdated Notions Of Masculinity

11 Dec

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Omega Access (OA) is a Toronto based non-profit media group ‘dedicated to the idea that outstanding, real-world men can inspire a new generation to see masculinity as a spectrum and not a binary’ (O’Brien, 2015). OA are one of Movember Canada’s newest men’s health partners, who seek to engage audiences in debunking outdated notions of masculinity. They endeavor to do achieve this by celebrating men with healthy lifestyles, alternative identities and productive passions.

OA recently launched a collection of cinematic profiles on ‘alternative men’, funded by The Movember Foundation (O’Brien, 2015). These 5-minute artistic shorts tackle topics, such as, mental health, physical health, vulnerability, family, inner-strength, community, sexuality and gender roles. The aim of these short films is to ‘visually demonstrate the broad spectrum of identities men can have and inspire young men to expand their meaning of masculinity’ (O’Brien, 2015).

These short films are powerful portraits of masculinity; real life stories, beautifully illustrating the multiplicity and fluidity of masculinity. The men featured in the films provide honest accounts of their own struggle in constructing masculine identities. These struggles center around their own construct of masculinity not aligning with hegemonic notions of what it means to be a man. Hegemonic masculinity creates problematic stereotypes, expectations and notions of what it is to be a man, whilst subordinating non-hegemonic masculinities. According to the creative director of this series, Marc O’Brien, OA are “showcasing new male role models that will help break stereotypes”.

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“No one else has porn on the phone. It’s pretty sick”: Stigmatizing porn, shaming and silencing boys?

24 Nov

Adapted from Afra, A. & Quigley, J. (2013). ‘Children’s constructions of ‘porn’ in an Irish primary school: Implications for boys. In M. Leane & E. Kiely (eds.). Sexualities and Irish Society. A Reader. Dublin: Orpen, 321-346.

Today I’d like to get started with presenting some of the findings relating to the porn aspect of ‘porn and hookup culture in an Irish primary school’. Beforehand though I will introduce the participants and then set the context in which ‘porn’ emerged.

Participants

There were twenty-four participants in total, eleven boys and thirteen girls, aged eleven and twelve and all forming one group of sixth class. Two of the boys identified as British and the rest as settled Irish. All eleven boys were white. Of the thirteen girls one was South-East- Asian-Irish, a second was white continental-European-Irish and a third girl was black African-Irish. The remaining ten girls were white and settled Irish. All participants were physically and intellectually normatively abled. The large primary school where fieldwork took place was located in a high-economic-status suburb of Dublin and was under the patronage of the Catholic Church. All names used throughout the presentation of findings are pseudonyms.

Contextualization of Findings

“Porn” had been discovered by school staff as a result of a violent fight between two boys (David and Anthony) that involved an escalation of one boy taunting the other with “gay porn” (Anthony’s words) from a mobile phone to imply that he was “gay” (participants’ word).

It was hoped that raising the topic of an anti-bullying programme during focus group discussions would encourage the children to talk about porn. The decision not to confront participants more directly about the topic was based on previous discussions during the year about kissing (called “meeting”) and the Relationships and Sexuality Education (RSE) curriculum that had led some children to feel “awkward”. This short extract exemplifies the necessity to have allowed individual children to take control over whether to talk about porn or not:

AA             What was the talk about?

Ava            About the word in, I don’t like saying it. The word in em

Lily             [laughs]

Ava            [laughs] It’s a bit weird.

Lily             [laughs]

AA             What was the word? ‘Sex’?

Lily            Yeah

Lily            Remember, we’re twelve.

Evidently, sex-related topics could be terribly difficult to discuss for some. Below, I move on to some of the ways that those children who did dare to transgress the norm of ‘childhood innocence’ constructed ‘porn’ with their talk.

Porn as something that shouldn’t be spoken about:

Discussing the recently delivered anti-bullying programme during interviews had prompted some children to talk about the ‘porn fight’ thus leading to an extended discussion of porn. However, one of the ways to construct ‘porn’ was as ‘unspeakable’:

AA            What was the fight about? … Or how did it get started?

Mikey       David just kept on like- like it wasn’t the first time David had ever

Mikey       like annoyed Anthony.

Graham    He just [kept on doing it

Mikey                      [annoying him and annoying him [and annoying him

Graham                                                                                 [and then Anthony just

Graham      acted out. He acted and then just…

Alison        And what exactly was David doing to annoy Anthony do you know? …

Mikey        Calling him names and just … just calling him gay and like all that

Mikey        I think he was texting him stuff, was he?

Graham     Yeah I don’t know

The specific details about how David was “annoying” Anthony, i.e. by watching porn in the classroom and by taunting him with “gay porn”, were omitted from Graham and Mikey’s accounts. When probed, Mikey diverted attention away from porn by emphasising the purpose to which David had been using it as a means, namely to ridicule Anthony as “gay”. The “just” of “just calling him gay” functioned to reassure the researcher, an adult woman, that there was nothing more to know about. Shortly after, Mikey conspires to share the ‘secret’ of porn, “I think he was texting him stuff, was he?” but Graham refuses to take the discussion in this direction by explicitly though ambivalently claiming ignorance, “Yeah I don’t know.”

Five boys in total spoke about porn and even then two out of the five subsequently withdrew the relevant sections from their transcripts. Evidently, it was extremely challenging to try to co-produce verbal data with the boys about it. The extracts below shed some light on the stigma preventing frank discussion.

Porn as “sick” and “sort of perverted”

Alison       Ok. So how do kids your age manage to get pornography?

Brian         Emmm…

Rory         That’s David

Brian        That’s David

Anthony     It’s called-

Brian         No one else has porn on the phone

Alison       Ok

Anthony     It’s pretty sick like literally this is all you have to do [takes his

Anthony     phone out of his pocket]

Alison        Don’t get it now

Rory         [laughs]

Anthony   I’m not. Oh yeah like I’d do that.

Above we witness the marginalization of David as strange at best and “sick” at worst for being the sort of boy who would be in possession of porn on his cell phone. The stigmatization and pathologization of porn continues below:

Anthony:

I remember em one of my friends he was looking it up. And I was like ‘aw stop that’s sort of perverted’ and like he said ‘aw it’s grand’ and I took his phone and … somehow or other I went in. I took the phone for the whole night like off him and I went in to settings and I eh deleted his eh browser so he couldn’t look it up coz I said ‘eventually one day your mam and your dad are going to take your phone  and look at the addresses.’ Like you’re able to enter addresses. Then all of a sudden they’re going to see like porn horn and all this crazy cack so …

The seeming ease with which porn can be accessed along with any desire to do so is obstructed by more than merely getting caught. Anthony has pathologized the downloading of  it on to a phone as “sort of perverted”, as well as describing the actual contents as, “crazy cack”. Through his construction of it as being only “sort of perverted” and not absolutely so, while his friend defines it as not at all perverted , “aw it’s grand”, we are witness to the pushes and pulls of ‘porn’ as produced by overlapping and competing discourses. This is a point of similarity with the existing literature in that it is normative to admit to familiarity with mobile-phone porn whilst simultaneously denying possession of it on one’s own phone (Bond, 2010).

In next month’s post I will present further the discourses that guided the aforementioned constructions of porn in the way that they did. Meanwhile, the main thing to note is that the boys were not free to discuss porn with the researcher because of a stigma attached to it making it shameful and pathological. I recommend that we stop to wonder how discourses on the ‘premature sexualization of childhood’ that are linked to the ‘sexualization of culture’  inadvertently exacerbate the stigma through the panic they stir and anxiety they rouse thus endangering the very children they aim to protect.

Until then,  have a great month!

Irish boys slut-shamed by parents, victimized by sex-starved girls

14 Oct

Hello and welcome back to ‘Porn and Hookup Culture in an Irish Primary School’ – Part 3. Today I’d like to highlight that the fuss over the ‘sexualization of culture’ and the way it purportedly prematurely sexualizes children is often a fuss that emphasizes the interests and concerns of the more privileged of social groups among us.

At the time of doing the research, for example, media coverage of sexualization in Ireland lamented the loss of childhood innocence but only for children who were cisgendered and showed promise to mature into heterosexual adults. That is, at no point did any journalists object to the systematic exclusion of LGBTQ youth from mainstream visual culture. In other words, commentators did not stop to wonder what it must be like to repeatedly find oneself left out of media representations since they were so embroiled in the question of how the media impacts a very narrowly defined social category of children and young people (CYP). The misguided presumption that everyone is heterosexual and that everyone is content with doing gender according to the conventions of heterosexuality is one meaning sociologists give to the term heteronormative.

Interestingly, the very phrase ‘premature sexualization of children’ obscures how it is really girls over whom we are getting our knickers in a twist. Outrage over the marketing of padded bras to seven-year-olds is arguably outrage over the commercialization of sex for girls. Notwithstanding what might actually be objectionable about the commodification of sexuality, why not just call a spade a spade? Why make it seem like we are equally concerned for girls and boys when there is barely a thought spared for boys beyond how they are encouraged to objectify girls? What is invested in the notions that sexual expression by girls ought to be curtailed and that apart from being sexual predators, boys have otherwise got sexuality all sussed? Aren’t these the very factors – slut-shaming and machismo – that eventually lead to danger and unhappiness in interpersonal sex?

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Porn and Hookup Culture in an Irish Primary School

13 Apr

Welcome to the first post in a series of monthly posts on masculinities in an Irish primary school. Over the coming months I will be sharing research findings on boys’ experiences of porn and hookup culture. There has been growing concern in recent years over the ‘premature sexualization of childhood’ that is claimed to be caused by the ‘sexualization of culture’. So before actually detailing the aforementioned findings, some of the initial posts will lay out the socio-cultural context in which they were produced.

As mentioned, the research in question took place in Ireland. The data were co-produced with eleven- and twelve-year-old girls and boys during their final year of primary school. I spent the academic year of 2009/2010 hanging out with the children a couple of days a week and interviewing them in pairs and groups about my observations. Furthermore, interviewees were invited to introduce topics of their own choice for discussion.

Overall, the themes that emerged ranged from academic performance to religion, from sports, dance and athletics to friendships and family relationships. Clearly, then, the more overtly sexualized themes chosen for analysis were not necessarily central to the children’s lives. Rather I played an active role in determining what to focus on. Nevertheless, porn and hookup culture did emerge and as such warranted exploration.

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International Conference on Masculinities: Post-Conference Press Roundup

9 Mar

CSMM_ICM2015We hope that you all enjoyed the International Conference on Masculinities, that you learned new and exciting things and that you made connections with researcher and activists that will move the field forward!

Here is a collection of articles from around the web reporting on the Conference:

Washington Post: “Michael Kimmel is out to show why feminism is good for men.”

Huffington Post: “Gloria Steinem On What Men Have To Gain From Feminism.”

CNN: “Sheryl Sandberg teams up with LeBron James to get men to #LeanIn”

Daily Mail:

New York Magazine: “Jane Fonda Battles the Friend Zone and Toxic Masculinity in One Speech.”

New York Magazine: “Gloria Steinem Explains the Perks of Feminism for Men.”

Stony Brook Statesman: “Center for the Study of Men and Masculinities hosts inaugural conference.”

The Guardian: “What a masculinity conference taught me about the state of men.”

 

Finding Male-Oriented Solutions To The Problem Of Campus Rape And Sexual Assault

2 Feb

Our very own Cliff Cleek, PhD student at Stony Brook University and Program Director at the Center for the Study of Men & Masculinities, recently spoke on Wisconsin Public Radio about how to engage men in fighting sexual assault on college campuses.

You can listen to the interview here.

John Jolie-Pitt’s gender and our fear of it

14 Jan

The internet has been abuzz with discussions of John Jolie-Pitt, Angelina Jolie and Brad Pitt’s eight-year-old child who hit the red carpet in a sharp suit at the premier of Unbroken on December 16. In the weeks since the premier multiple sources have reported that the child, who was designated female at birth and named Shiloh, now wishes to be called John and may identify as a boy. However, information on John is limited and no official statement has been released about his gender identity.

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Black, Queer and in Vogue

22 Oct

Colorlines’ ongoing series Life Cycles of Inequity explores facets of the Black male experience in the US. This article and photo series by Kai Wright and Gerard Gaskin (first published in September 2014 on colorlines.com) take us inside the culture of house balls, underground events where gay and transgender men and women, mostly African American and Latino, come together to see and be seen. The images come from Gaskin’s 2013 book ‘Legendary. Inside the House Ballroom Scene’.

Gerard Gaskin: “Legendary. Inside the House Ballroom Scene”.

Hip-hop is not the only place where young black artists deeply influence mainstream culture and entertainment—and do so without recognition or pay. Pop artists have for decades appropriated the style, dance and sound generated inside the black and Latino LGBTQ community’s house ballroom scene. From Madonna’s 1990 “Vogue” to the Scissor Sisters’ 2012 “Let’s Have a Kiki,” the creative teams of Top 40 performers have consistently mined the scene for inspiration.

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