I first discovered the work of Mario Dubsky in my final year of Art College, some 12 years ago. I was working on a series of paintings that explored bats and bat mythology. One day I was searching for some inspiration in the college library and came across a book of drawings by Dubsky. At the time I looked upon his work with merely a visual art lens, enjoying his use of line and tone to create dark shadowy forms. The first drawing that grabbed my attention was ‘Good Friday Shadow’, which depicts a man naked but for an open shawl or shirt across his shoulders, arms out stretched in cruciform. It was the initial resemblance created by the out stretched arms and drooping shawl or shirt to that of the wings of a bat or vampiric creature that stirred my curiosity in Dubsky’s work. Many of his drawings proved useful references to my own paintings at that time. Now at the early stages of a new series of painted works many years on, I have rediscovered Dubsky’s drawings and have been looking upon them with a masculinities lens.
The Center for the Study of Men and Masculinities (CSMM) will host the International Conference on Masculinities: Engaging Men and Boys for Gender Equality, in New York City. The Conference will take place from March 5th to March 8th 2015, immediately preceding the meeting of the Commission of the Status of Women (CSW) at the United Nations.
This year marks the 20th anniversary of the Fourth World Conference on Women in Beijing, a touchstone in the generations-long struggle for gender equality. Those twenty years have also witnessed unprecedented efforts to engage men around gender equality. The International Conference on Masculinities will bring together hundreds of activists, practitioners, and academic researchers from around the world who are working to engage men and boys in fulfilling the Platform for Action adopted by the CSW in Beijing.
And visit the conference website here.
Proposals for Presentations are due on November 20th 2014. You can read the call for proposals here.
Colorlines’ ongoing series Life Cycles of Inequity explores facets of the Black male experience in the US. This article and photo series by Kai Wright and Gerard Gaskin (first published in September 2014 on colorlines.com) take us inside the culture of house balls, underground events where gay and transgender men and women, mostly African American and Latino, come together to see and be seen. The images come from Gaskin’s 2013 book ‘Legendary. Inside the House Ballroom Scene’.
Hip-hop is not the only place where young black artists deeply influence mainstream culture and entertainment—and do so without recognition or pay. Pop artists have for decades appropriated the style, dance and sound generated inside the black and Latino LGBTQ community’s house ballroom scene. From Madonna’s 1990 “Vogue” to the Scissor Sisters’ 2012 “Let’s Have a Kiki,” the creative teams of Top 40 performers have consistently mined the scene for inspiration.
Finding the ‘Dude’ in My Disability: How being both Queer and Crippled has Re-constructed my Maleness and Masculinity20 Oct
Everybody thinks they know what it means to be a man. We all think we know that being a man means being strong, powerful and having an unforgiving sensuality that just won’t quit. We all know that being a man means you are the provider, the breadwinner, and you are self-reliant and sufficient, right? (I mean, c’mon, hasn’t every action/romantic comedy male lead been written this way for the past 50 years? Also, if I were to see a man like that in real-life, I would automatically fall to my knees. Do with that image what you like.) Imagine that, try as hard as you might, you were unable to meet the male milestones? How then would this shape who you are, and who everyone else thinks you should be?
DESCRIPTION: Nudies is a compilation of found footage that represents one’s intuitive relationship to gender over time. By looking at what we were looking at, we start to define our relationships to larger systems as reactive and changing. Through this metamorphosis, the subconscious mind reflects most honestly the inner struggles and accomplishments that can’t be defined or pinpointed by waves.
The benefit of paternity leave is more than a few weeks time off.
[This article first appeared at MARC - Men Advocating Real Change]On August 14th, National Public Radio’s popular news show, All Things Considered, dedicated a significant portion of their airtime to a discussion of paternity leave. They argued that a growing number of fathers desire, or even expect, to be given time off of work to spend with a new child. The vast majority of working fathers already do take time off, but the amount of time that they take off, and at what cost, varies widely. Chief among the various forces determining the amount of paternity leave men utilize is the support, or lack thereof, from their employers. And, while at first glance paternity leave may appear to be a burden to employers, there are numerous benefits that are certainly worth discussing.
feminism and standpoint
the most striking categories or patterns to emerge from my reading in feminist standpoint, lately, are the concepts of dualism and the Self. the reason i choose to focus, here, on two of these is because they are inexplicably interlocked and, as Sandra Harding states in her introduction to The Feminist Standpoint Theory Reader, “claims of any sort only have meaning in some particular cultural context – that is, relative to some set of cultural practices through which the meaning of the claim is learned and subsequently understood. claims thus have meaning ‘relative’ to that context of practices” (Harding, 2004). what is the Self, if not a claim to being – a grand declaration? if, as Harding states, all claims are “necessarily socially located…and thus permeated by local values and interests” (Harding, 2004), then the Self, for females (and males), is always already located within a hetero-patriarchal framework that doesn’t allow for an “adequate representation of the world from the standpoint of women [or men]” (Allison Jaggar, 1983). Continue reading
A couple weeks ago, I had the privilege of attending the annual Women’s Power Conference at the Omega Institute in Rhinebeck, New York. The theme of this year’s conference was “Women/Men: The Next Conversation.” Combing through the roster of speakers prior to attending, I found a handful of familiar names—Carlos Andrés Gómez, Tony Porter, Michael Kimmel, Ted Turner—but the conference’s title still left me intrigued. What exactly would we be talking about? This was a women’s leadership event, yet men were being introduced to the conversation. “Sure,” I told Masculinities 101, “I’ll write about it.”
The great folks at Colorlines are currently running an extensive, brilliant and insightful series on Black Men: Life Cycles of Inequity. Today’s re-post addresses the issue of violence in Black communities, first published at Colorlines.com on August 04 2014, by Carla Murphy.
The first time Jeremy Berry got shot it was late March 2012 and he called himself trying to help a homey from his block. Berry, about 5’9”, slim in build, lives in the Roseland section of Chicago’s South Side. He jumped into a fistfight, first with his hands and then throwing a brick. When Berry missed his target, the guy “upped a gun” and shot him. He spent a week in the hospital and three months recovering at his aunt’s house. The bullet remains in his right butt cheek. The second time Berry got shot…